Category Archives: Theology

Singing Lies in Church

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In a previous post entitled “The Bible’s Best Kept Secret” I summarized the logic of redemption in the Scriptures—that God loves this world and intends to redeem it. Grounded in the holistic worldview of the Old Testament, the New Testament envisions God’s renewal of creation at Christ’s return, rather than God taking us out of this world to “heaven,” conceived of as an immaterial realm. Indeed, contrary to much popular eschatology, nowhere does the Bible ever say that “heaven” is the eternal destiny of the righteous.

The Eschatology of Classic Christian Hymns

So why do so many in the church assume a heavenly afterlife? The answer lies in Christian hymnody. It is primarily from what they sing that those in the pew (or auditorium) typically learn their theology, especially their eschatology. And the trouble is that a holistic vision of the future is found only rarely in popular Christian piety or in the liturgy of the church. Indeed, it is blatantly contradicted by many traditional hymns (and contemporary praise songs) sung in the context of communal worship.

Preparing for Heaven

From the classic Charles Wesley hymn, “Love Divine, All Loves Excelling,” which anticipates being “changed from glory into glory/ till in heaven we take our place,” to “Away in a Manger,” which prays, “And fit us for Heaven, to live with Thee there,” congregations are exposed to—and assimilate—an otherworldly eschatology.

Some hymns, like “When the Roll Is Called up Yonder,” inconsistently combine the idea of resurrection with the hope of heaven: “On that bright and cloudless morning when the dead in Christ shall rise,/ And the glory of His resurrection share;/ When His chosen ones shall gather to their home beyond the skies,/ And the roll is called up yonder, I’ll be there.”

Some hymns even interpret resurrection without reference to the body at all, such as “Must Jesus Bear the Cross Alone?” which in one stanza regards death as liberation (“Till death shall set me free”) and in another asserts: “O resurrection day!/ When Christ the Lord from Heav’n comes down/ And bears my soul away.”

A hymn like “When We All Get to Heaven” may be too obvious, but notice that “The Old Rugged Cross” ends with the words, “Then He’ll call me some day to my home far away/ Where his glory forever I’ll share.”

And “Just a Closer Walk with Thee” climaxes with the lines: “When my feeble life is o’er,/ Time for me will be no more;/ Guide me gently, safely o’er/ To Thy kingdom shore, to Thy shore.”

A Perpetual Worship Service

This notion of a perpetual worship service in an otherworldly afterlife is a central motif in many hymns, like “My Jesus I Love Thee,” which affirms that “In mansions of glory and endless delight,/ I’ll ever adore Thee in heaven so bright.”

Likewise, “Come Christians, Join to Sing” affirms that “On heaven’s blissful shore,/ His goodness we’ll adore,/ Singing forevermore,/ ‘Alleluia! Amen!’”

In a similar vein, “As with Gladness Men of Old” asks in one stanza that “when earthly things are past,/ Bring our ransomed souls at last/ Where they need no star to guide” and in another stanza expresses the desire that “In the heavenly country bright/ . . . There forever may we sing/ Alleluias to our King!”

From Hymns to Contemporary Praise Songs

Thankfully, most hymnals no longer have the sixth verse of “Amazing Grace,” which predicts: “The earth shall soon dissolve like snow,/ The sun forbear to shine;/ But God, who called me here below,/ Will be forever mine.”

Yet Chris Tomlin’s contemporary revision of this classic hymn, known as “Amazing Grace (My Chains Are Gone),” reintroduces this very verse as the song’s new climax, ready to shape the otherworldly mindset of a fresh generation of young worshipers unacquainted with hymnals.

And this just begins to scratch the surface of worship lyrics that portray the final destiny of the righteous as transferal from an earthly, historical existence to a transcendent, immaterial realm.

As the popular theologian and preacher A. W. Tozer is reputed to have said: “Christians don’t tell lies; they just go to church and sing them.”

Perhaps that is too harsh; nevertheless, I can testify to the steady diet of such songs that I was exposed to, growing up in the church in Kingston, Jamaica, which certainly reinforced the idea of heaven as otherworldly final destiny.

An Alternative Vision of the Future

I am, however, perpetually grateful that along with such exposure I came to know, through sheer proximity, the this-worldly theology of Rastafarianism, especially as mediated through the music of Bob Marley and the Wailers. While I am a committed Christian and thus cannot affirm everything found in Rasta theology, I nevertheless discern a deeply rooted biblical consciousness in the lyrics of many Wailers’ songs.

For example, the song “We an’ Dem” (on the Uprising album) claims that “in the beginning Jah created everything/ and he gave man dominion over all things” and “Pass It On” (on the Burnin’ album) asserts that “In the kingdom of Jah/ Man shall reign.” These lyrics express (in androcentric language, admittedly) the biblical vision of this-worldly dignity granted humans at creation, a dignity which will be restored in the kingdom of God.

And Peter Tosh’s version of “Get Up, Stand Up” (a song he co-wrote with Marley), understands well the implications of eschatology for ethics, when it contrasts the doctrine of the rapture with a desire for justice on earth:

“You know, most people think,/ A great God will come from the skies,/ And take away every little thing/ And lef’ everybody dry./ But if you know what life is worth,/ You would look for yours/ Right here on earth/ And now we see the light,/ We gonna stand up for our rights.” (From the Equal Rights album.)

The song goes on to critique the “preacher man” for taking the focus off earthly life and affirms that the singer is “Sick and tired of this game of theology,/ die and go to heaven in Jesus name.”

This is the very theology that leads Marley, in the song “Talkin’ Blues” (from the Natty Dread album), to admit, “I feel like bombing a church,/ now that you know that the preacher is lying.”

But if Tozer is right, it isn’t just the preacher who is lying, but also the worshipers who blithely sing hymns of escape to an ethereal heaven—when the Bible teaches no such thing.

What the Bible does teach is the theme of my new book, A New Heaven and a New Earth: Reclaiming Biblical Eschatology (Baker Academic, 2014).

Making All Things New—Faith and Work 2014 Conference

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In about a week I will be speaking at what looks to be a very exciting conference in New York City.

The conference is called “Making All Things New—Imagination & Innovation Required,” sponsored by the Center for Faith and Work, which is affiliated with Redeemer Presbyterian Church.

This is how the website describes the conference:

“The Faith and Work Conference is a two day gathering of industry leaders, cultural commentators, and leading theologians to reflect on the vital, inevitable intersection of our work and faith. Through keynote talks, exhibitions, workshops, and cultural outings, we’ll explore the role of imagination and innovation as expressions of God’s grace in our world. Artists and educators, designers and technicians, homemakers, engineers, managers, entrepreneurs, doctors, and everyone in between are invited to help us celebrate the remarkable reality that work matters.”

The conference begins Friday evening, November 7, and continues all day Saturday, November 8.

Timothy Keller (founding pastor of Redeemer Presbyterian Church) will give a keynote talk on Friday evening, framing the conference in terms a Christian imagination.

My own keynote, entitled “A Sacred Calling for Sacred Work,” will be on Saturday morning.

Other speakers include David Brooks (columnist for the New York Times), on a social imagination, as well as Dave Evans, Nancy Ortberg, and Margaret Newman.

The afternoon has an “Imagination and Innovation Expo,” with “workshops, tastings, conversations, screenings, demos and more.”

The conference ends with theologian and poet Christian Wiman leading participants through an imaginative exercise to envision the future together.

Bios for all the presenters are listed here.

Walter Brueggemann on A New Heaven and a New Earth

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The writings of Old Testament scholar Walter Brueggemann have had a profound impact on my thinking over the years.

Back when I was a theology graduate student, I read Brueggemann’s The  Message of the Psalms: A Theological Commentary (Augsburg, 1984). This book introduced me to the importance of human experience embedded in the Psalter, especially the value of lament psalms in processing pain and helping us move towards newness of life. The Message of the Psalms was life-altering and spoke directly to where I was in my faith journey. Brueggemann’s insights into lament, both in this book and in his famous article on the “costly loss of lament,” greatly influenced my own argument about the inadequacy of classical theodicy in “Why the ‘Greater Good’ Isn’t a Defense.”

Then I read The Prophetic Imagination (Fortress, 1978; 2nd ed. 2000), which crystallized the contrast between the impulse to autonomy and control in Pharaoh’s Egypt and the Israelite monarchy, on the one hand, and the challenge to this autonomy in the exodus and in the Yahwistic faith in the prophets, on the other. This book, published a few years before the Psalms book, articulated the move in the prophetic literature from embracing pain (here Brueggemann focused on Jeremiah) to being energized by hope (here he focused on Deutero-Isaiah). It was The Prophetic Imagination, more than any other resource, that opened my eyes to the sociopolitical implications of the gospel. Brueggemann was helpful in providing a paradigm for interpreting both the Old Testament and the New; his chapters on the cross and resurrection of Jesus in terms of the prophetic pattern of the Old Testament were illuminating.

However, I began to see certain limitations in Brueggemann’s analysis of patterns in the Bible. His take on Scripture was very helpful in addressing suffering and injustice and in prodding us towards a redemptive vision. But his suspicious interpretation of creation texts in the Old Testament did not match my experience of these texts as liberating and empowering. In fact, Israel’s Praise (Fortress, 1988), his second book on the Psalms (he has since written more), was even more suspicious of creation texts, interpreting them, along with the enthronement psalms, as nothing more than royal legitimation for the status quo. It was my high respect for Brueggemann, combined with my perception of a different reading of creation in the Old Testament, that led me to publish a critical review of the topic, titled “Is Creation Theology Inherently Conservative? A Dialogue with Walter Brueggemann” (1994).

Prior to publication, I presented this paper at the Society of Biblical Literature (SBL) in 1992. Since the conference organizers had put my paper right after a panel discussion that Brueggemann participated in, he was there to hear my paper. It also turned out that the person who was to present after me had pulled out of the conference, so there was a gap of half-an-hour. The conference chair asked Brueggemann if he would say a few words in response, since we had some time. I actually have no recollection what Brueggemann specifically said, since I was sick as a dog. I had laryngitis the night before and wasn’t even sure I would be able to deliver the paper. As it was, I had to speak in almost a whisper (I told the audience that I came to them in the weakness of the flesh).

All I remember is that Brueggemann was very gracious; he was basically affirming and appreciative. And then when my paper was published, he wrote a very positive response, locating my paper among various recent approaches to Old Testament creation theology. I found out later that even before my SBL presentation Brueggemann had already begun to come to a more positive view of the topic of creation, evident in his oral presentations (I later listened to some recordings). Some of his more positive views found their way into his Texts Under Negotiation: The Bible and Postmodern Imagination (Fortress, 1993), and later into his magnum opus, Theology of the Old Testament: Testimony, Dispute, Advocacy (Fortress, 1997).

I’ve had many contacts with Walter Brueggemann over the years, from responding to a paper he gave at the Institute for Christian Studies in Toronto (in 1997) to hearing him give papers at SBL and attending many of his speaking engagements in Rochester.

He wrote a great blub for the back cover of Truth Is Stranger Than It Used to Be: Biblical Faith for a Postmodern Age (IVP, 1995), which I co-authored with Brian Walsh, and he even sent me a nice card congratulating me when I got a full-time teaching appointment at Colgate Rochester Divinity School in 1996. Later, he wrote a very positive endorsement of my book The Liberating Image: The Imago Dei in Genesis 1 (Brazos, 2005).

More recently, Brueggemann has written an endorsement for A New Heaven and a New Earth: Reclaiming Biblical Eschatology (Baker Academic, 2014):

“Richard Middleton plunges boldly into a most-treasured misreading of the Bible. He shows the way in which ‘other-worldly’ hope of ‘going to heaven’ is a total misread of gospel faith. In a demanding, sure-footed way he walks the reader through a rich deposit of biblical texts to make clear that the gospel concerns the transformation of the earth and not escape from it. Middleton summons us to repentance for such a mistaken understanding that has had disastrous practical implications. This is a repentance that he himself avows. When his book catches on, it will have an immense impact on the way in which we think and act about our common future in the gospel, a common future with important socio-economic, political derivatives. The reader will be rewarded by Middleton’s boldness.”

Actually, it is I who have been rewarded by Brueggemann’s boldness—I’ve been rewarded again and again.