Podcast Interview on the Image of God and the “Cultural Mandate”—Everyday Christianity

I was recently interviewed by Jason Estopinal, who runs a website called “The Laymen’s Lounge.” The website hosts podcasts and other resources dedicated to addressing issues of faith, theology, and biblical interpretation that have a direct bearing on the everyday lives of Christians. This is theology for ordinary laypeople, not for pastors, professional theologians, or scholars (but that doesn’t mean anything is dumbed down).

Here is Jason’s description of what the website is all about:

The Laymen’s Lounge is a resource for everyday Christians (those who make up the majority of the Church) to learn how to do everyday life with other everyday theologians. Theology is for laymen too: all people of faith need to seek understanding of how work and play, at home, the office, the garden, or anywhere else, relates to the God of the gospel and the gospel of God.

Theology is about paying attention to God’s presence and activity in all areas of life. Here in the Lounge you will find help in answering key questions, such as “What is the gospel?” and “what is God like?” We will bring scholars, professors, pastors, and missionaries into the lounge to help us wrestle with questions and issues that are part and parcel of daily living.

This site is for anyone who wants to think harder about the Christian faith and how to live as Christians.

Please feel free to stay as long as you like, and encourage others – friends, family, and even grandma (if she knows how to log on to the internet) – to visit. If they do, they’ll find everyday theology for everyday Christians living everyday life.

Jason had been trying to get me to do an interview from before the pandemic, but lots of things got in the way. I was finally interviewed for the Laymen’s Lounge on the topic of being made in the image of God (with a focus on the “cultural mandate” or how our faith affects everyday life).

Here is Jason’s introduction to the interview (taken from the website):

Listen in as we sit down with Dr. J. Richard Middleton to discuss the forest and the trees of being image-bearers, God’s purpose for the world, God’s generosity, the great change that took place the moment God resolved to create humanity and good Jamaican and world reggae for your listening pleasure.

Jason lives in Hawaii, so it was great having him welcome me at the start of the podcast with Aloha!

He is also a music fan and knows quite a bit about reggae. He posted links to three reggae songs (two from Jamaica, one from South Africa) on his website right below the interview.

Mortimer Planno, Bob Marley, and Rastafari Biblical Interpretation

In two previous blog posts I reported on the theology conference held at the Jamaica Theological Seminary in Kingston (where I did my formative theological studies many years ago) and the trip some of us took afterwards to two Rastafarian heritage sites.

One of our presenters at the theology conference, who was also on the trip, was a Canadian named Christopher Duncanson-Hales. As a Roman Catholic theologian, Duncanson-Hales may have seemed a bit out of place among a largely Protestant group; but he was very familiar with Jamaican culture, and especially with Rastafari.

From his initial visit to Jamaica as a teenager, when he arrived to work with Father Ho Lung’s ministry in Kingston (called the Missionaries of the Poor), he met up with Rastas and intentionally tried to understand their culture and doctrines.

Later, through an extended stay in Jamaica he was apprenticed to the respected Rastafarian elder Sydney DaSilva (president of the Rastafarian Centralization Organization). His many meetings with Ras DaSilva resulted in research notes that became the basis of his academic career focus on Rastafari.

Besides writing his B.A thesis and M.T.S. thesis on Rastafari, Duncanson-Hales addressed Rastafari in his Ph.D. thesis, entitled “The Full Has Never Been Told: Theology and the Encounter with Globalization” (2011, Saint Paul University, Ottawa, Canada).

After completing his Ph.D., he attended the Rastafari Studies Conference and General Assembly Rastafari, held at the University of the West Indies, in Kingston (2013), where he presented a paper entitled “Naming Jah: Who do InI say InI am?” More recently, his article called “Dread Hermeneutics” was published in the journal Black Theology (2017).

A New Research Project on Rastafari

Duncanson-Hales’s next research project is called Echoes of the Memories: A Hermeneutical Investigation of Rastafari Ethnographic Material in the Smithsonian’s Simpson/Yawney Archives. This project will examine the notes of two important ethnographers, who had significant access to Rastafari “reasoning” sessions, with a view to incorporating their analysis into his own study of Rastafari “productive hermeneutics,” that is, how Rastafarians engage the Bible and the world of oppression to produce an alternative symbolic world of hope, at both the oral and visual levels.

The study will also engage in careful analysis of Ras Mortimer Planno’s famous 1969 handwritten treatise, “The Earth Most Strangest Man: The Rastafarian,” which is the first written Rastafari theological statement, almost 200 pages long (also in the Smithsonian archives).

Mortimer Planno (also known as Kumi) was perhaps the most famous Rastafarian elder throughout the history of the movement. Besides being the spiritual teacher of Bob Marley (both lived in Trench Town), Planno is known for having parted the crowd of Rastas who were dancing and drumming on the tarmac at the Kingston airport, in order to make a path for His Imperial Majesty Haile Selassie I to exit the plane on his historic visit to Jamaica on April 21, 1966.

My father, Jack Middleton, being at the time the head of Special Branch (in the Jamaica Constabulary Force), was in charge of security for Selassie’s visit. Since he knew that Planno was a respected Rasta elder, he asked him to make a path for His Majesty through the crowd of celebrants who had gathered to greet him.

But first he brought Planno up the steps of the plane to meet Selassie in person. After that Planno proceeded to part the crowd of thousands of Rastas so that Selassie could deplane safely.

Ever since, April 21 has been celebrated as Groundation Day by Rastafarians.

My Involvement in the Rastafari Research Project

Duncanson-Hales’s Rastafari projected research project will also involve analysis of the lyrics of Bob Marley’s songs, as they intersect with the Bible and with Planno’s theology.

Although I am not a formal expert on Rastafari, I had many discussions with Rastas on the streets of New Kingston, when I was a teenager. And I have published an essay on the theological vision of the songs of Bob Marley and the Wailers (many of these songs have contributed to the texture of my own spirituality). Also, whereas Duncanson-Hales is a systematic and historical theologian, I am a biblical scholar by training, and can bring my expertise in Old Testament studies to bear on the project.

Therefore I will be lending my expertise as a collaborator on the overall project and as a co-author for selected parts of the study, especially for a book on Rastafari biblical interpretation that would be part of the overall project (Semeia Studies has indicated interest in publishing this).

We are only just in the brainstorming and planning phases for the idea. Given my own prior commitments to book projects, this particular study may be a bit more far off in the future.

We shall see how it develops, Jah willing.

 

 

 

 

 

A Rastafarian Cultural Journey (What I Did after the Theology Conference in Jamaica)

In my last blog post I reported on the theology conference on the theme of “Biblical Interpretation for Caribbean Renewal” that I helped organize at the Jamaica Theological Seminary (JTS) in Kingston (September 8-9, 2017).

A Visit to Culture Yard in Trench Town

The conference began Friday night and ended late Saturday afternoon.

Then on Sunday four of us from the conference went  on an informal tour of two famous Rastafari sites. The four were Garnett Roper (the president of JTS), Winston Thompson (vice-president of JTS), Christopher Duncanson-Hales (a presenter from Canada, who had made Rastafari his primary research over the years), and myself.

First, we visited Culture Yard, the heritage site that was the small complex of buildings Bob Marley used to live in when he was just starting out in Kingston. This was the famous “government yard in Trench Town” mentioned in the song “No Woman No Cry.”

One of the rooms around this central open “yard” (courtyard) was the kitchen with Marley’s “single bed” (mentioned in the song “Is This Love“).

Even Marley’s first (well-used) guitar was preserved for visitors to see.

Our tour guide was a Rasta named Stone Man, because of his stone carvings with mystical glyphs and spiritual meanings.

A Journey to the Historic Rastafarian Camp at Pinnacle

After Culture Yard, we journeyed into the Jamaican countryside, to the parish of St. Catherine, to visit Pinnacle, the site of one of the earliest Rastafarian camps in Jamaica.

So named because it is situated on a hilltop, Pinnacle was founded in 1940 by one of the first Rastafarian preachers, Leonard Howell (sometimes called the First Rasta, though he had no dreadlocks).

Pinnacle soon became a model for other Rasta settlements throughout Jamaica, focused on self-sustaining agriculture (which also included ganja cultivation). Partially because of the ganja, but also because of suspicions that Howell was sowing sedition (this was before the wider culture and the police came to understand Rastafari), Pinnacle was raided a number of times by the police in the nineteen forties and fifties. After the final raid, the Rastafarians who lived there dispersed throughout the island.

It has only recently been restored as a Rastafarian Heritage Site and Cultural Centre by the government of Jamaica.

While at Pinnacle, we met the Rasta who takes care of the grounds, including the ruins of the house where Leonard Howell used to live.

He explained to us the history of Pinnacle, including its current use from time to time for Rastafarian meetings with Nyabingi drumming and chanting.

Although Nyabingi is the name of one of the Mansions (groups or denominations) of Rastafari (“In my Father’s house are many mansions”; John 14:2), Nyabingi is also a form of rhythmic drumming and chanting used in Rastafari ceremonies. “Rastaman Chant” by Bob Marley and the Wailers is based on the Nyabingi classic, “Babylon Throne Gone Down.”

In a follow-up post, I describe a research project (and book) on Rastafari that I may be involved in, spearheaded by Christopher Duncanson-Hales, the Canadian presenter at the JTS theology conference who has made Rastafari his major research over the years.