Abraham’s Silence—Why Genesis 22 Has Been a Puzzle to Me

This is the first in a series of blog posts where I’ll outline the argument of my new book, Abraham’s Silence: The Binding of Isaac, the Suffering of Job, and How to Talk Back to God, which is scheduled to be published by Baker Academic this fall (October or November 2021).

The Problem of Genesis 22

Abraham’s Silence is focused on the specific issue of whether we should praise Abraham for silently trying to obey God’s instructions to sacrifice his son Isaac in Genesis 22. It is traditional to view Abraham positively, in both Judaism and Christianity.

The most common understanding of Genesis 22 is that God tested Abraham to see if his commitment to God would take priority over his love for Isaac.

Since Abraham proved that he was willing to give up (actually, kill) his son to prove his faithfulness to God, he is to be praised.

I have problems with this view. To be honest, this view of Abraham (and the text of Genesis 22) has perplexed me for thirty years.

Here is how the Jewish scholar Leon Kass describes his sense of perplexity at Genesis 22:

“No story in Genesis is as terrible, as powerful, as mysterious, as elusive as this one. It defies easy and confident interpretations, and despite all that I shall have to say about it, it continues to baffle me.”  

Leon R. KassThe Beginning of Wisdom: Reading Genesis (Chicago: University of Chicago Press, 2006), 333.

Another Jewish scholar, Isaac Kalimi, wrote this as part of his endorsement of my book:

“Generations of theologians, commentators, philosophers, writers, and artists—both Jews and Christians—struggled and are still struggling with the most puzzling and horrifying stories: the binding of Isaac (the Akedah), who is meant to be offered as a burnt offering by his father.” 

Isaac Kalimi, member ordinarius, Academia Europaea: The Pan-European Academy of Sciences, Humanities & Letters

Among all the issues that Genesis 22 raises, my book focuses on the question of why Abraham did not intercede on behalf of his son or protest the command to sacrifice him. He could have, at least, questioned God about why this horrendous sacrifice was necessary.

Instead, Abraham’s silence resounds through the ages. And this silence generates my questioning of Abraham.

The Broader Topic of the BookPutting Abraham in Context

Although Genesis 22 is the explicit focus of the book, I start by exploring, as a background to Abraham’s silence, the broader topic of God’s invitation to vigorous prayer in the Bible, which is preferable to circumspect silence.

The underlying question the book addresses is what we should do when life seems wrong, when circumstances seem to block our (or others’) flourishing—especially what we should do when we begin to doubt the goodness of God, who is supposed to be “in control.”

Is it possible to remain faithful to God, without piously denying the reality of sufferingin the world and in our own lives?

I suggest that it is indeed possible. And this possibility can be clearly seen by a study of Scripture.

So, prior to tackling Genesis 22 head on, the book examines God’s welcome of honest prayer in other parts of the Bible. This framing of the study shows that my questioning of Abraham’s silence is not simply my own idiosyncratic point of view. It is grounded in a coherent biblical theology of the nature of God.

In my next few blog posts, I’ll outline the biblical models for vigorous prayer that the book explores as a context for understanding Abraham’s silence.

The next post addresses The Importance of Lament for Understanding Genesis 22 .

Abraham’s Silence—A Book for Jews and Christians Who Take Genesis 22 Seriously

I received word yesterday that my book, Abraham’s Silence: The Binding of Isaac, the Suffering of Job, and How to Talk Back to God (Grand Rapids: Baker Academic, 2021), is ready to be sent to the printer. Copies will be available in time for the annual November meetings of the American Academy of Religion and the Society of Biblical Literature in San Antonio.

I signed the contract for the book in 2015 and have been working on in on and off until 2020. Then I began writing the final chapters in earnest. After moving house in mid-2020 and recovering from COVID in January of 2021, I wrote the conclusion and submitted the completed manuscript on February 21.

Since submitting the manuscript, I’ve been through two sustained rounds of edits—one round of proofreading the amazing copyediting done by the publisher and a round of my own proofreading of the final page proofs. I have to say that the editors at Baker Academic who worked on my book (led by Melisa Block) were absolutely fantastic. They caught lots of small errors, helped me improve my phrasing, and were invaluable in getting all my references (especially my citations of ancient Jewish midrash and commentaries) into the correct format.

Although I wrote the book as a Christian, I interacted with numerous Jewish sources, both ancient and modern, especially concerning the interpretation of Genesis 22. From the beginning I wanted the book to be accessible to interested persons of the Jewish faith.

Of the nine pre-publication endorsements the book received (all of which are posted on the Baker Publishing Group website), I am thankful that three are from Jewish scholars whom I respect greatly—Shai Held, Isaac Kalimi, and Irving (Yitz) Greenberg.

Irving (Yitz) Greenberg’s Endorsement of Abraham’s Silence

The very first endorsement I received was from Yitz Greenberg, a Jewish theologian I have respected for many years. It was also the longest endorsement and clearly could not fit on the back cover of the book (so the publisher is using a shorter excerpt from his endorsement).

Here is Greenberg’s full endorsement. I have to say that receiving this (in early July) encouraged me tremendously.

“This book is an extraordinary commentary on the meaning of the Aqedah (Genesis 22). I consider this to be a masterpiece, of once-in-a-generation quality. It is also a narrative of a personal theological journey to faith. This narrative can be read with great profit by anyone who seeks to find God in our time of Divine hiddenness and rampant doubt.

Abraham’s Silence manages to respectfully reverse millennia of traditions (Jewish and Christian) that praise Abraham’s unquestioning obedience to the instruction to sacrifice Isaac—while taking these sources with utmost seriousness and honoring them. The book manages to elevate the lesson of the Aqedah from a test of obedience to God to a challenge to better understanding of the nature of YHWH—the covenanting God who is the God of justice and morality who would have welcomed Abraham’s arguing and pleading for justice for an innocent son. This treatment gives us a new understanding of a chapter that has launched a thousand theological reflections and about which one could have sworn there was nothing new to be uncovered or said.

“There is so much more to say about this book. It develops remarkable parallels between the Book of Job and Abraham in the Aqedah. In the process it offers a fresh interpretation of Job’s arguments with God and of the differences between God’s two specific responses to Job. It brings forward the psalms of complaint and their central importance in the Book of Psalms. From these psalms it leads us to an understanding of walking through life with God. This includes periods of darkness, losing our way, even alienation from God yet culminating with a deeper faith and a more unbreakable connection to God.

“Finally, as a Jew, I deeply appreciate the theological humility with which the whole book is written. This includes reading and listening to the Jewish traditional commentaries with utmost respect. I appreciate the way in which Middleton resisted slipping into Christian apologetics or alleged ‘superiorities’ over Judaism at key turning points in the commentary. The result is a fair minded, three hundred and sixty degree scan of all the available wisdom on a theological conundrum that has challenged understanding and baffled the wise for centuries. Amazingly the book will be meaningful and inspiring to devout Jews and Christians as well as those who read for academic or scholarly insights.

“This book deserves to reach the widest possible audience of Bible readers of every stripe and motivation. Readers will universally find themselves challenged, enlightened, informed, and inspired.”

Irving (Yitz) Greenberg, President, J. J. Greenberg Institute for the Advancement of Jewish Life, Hadar Institute

Why I Love Creation Theology—How This Theme Is Interwoven Into My Life, Teaching, and Writing

As anyone who has taken my classes knows, I talk a lot about the theology of creation. Indeed, in my publications (both books and articles), I keep returning to creation theology either as an explicit focus or more indirectly as a foundation for other topics. 

In this blog post, I give an accounting of the theme of creation in my life, my teaching, and my writing.

Why I Got Interested in Creation

It all started when I was an undergraduate student at Jamaica Theological Seminary. I got hooked on creation theology in my third year of studies (at the tender age of twenty). There were two main reasons for my interest.

First, as a Christian who wanted to serve God, but had no calling to pastoral ministry, I wanted to understand why God had put me in the world. What was my purpose as a human being? And how should this impact my life today as a Christian?

Creation seemed the best place to start, especially what the Bible means when it says that we are created in God’s image (imago Dei).

The second reason I was attracted to creation theology is because creation grounds the entire story of the Bible—a complicated story with many twists and turns, covering many different types of literature. Like most Christians, I was introduced to the Bible in lots of bits and pieces–a psalm here, a parable there, isolated verses from the Pauline epistles, various episodes from Old and New Testament narratives, especially the death and resurrection of Jesus. But I wasn’t really clear how it all fit together.

As a teen and young adult, I was a detail-oriented person, very focused on the concrete. I naturally noticed particularities—an interesting sentence in a book, the crinkling of a leaf, a one-legged grasshopper. But I often found it difficult to see patterns.

Looking back, I have sometimes said that my developmental task as an adolescent was to find coherence—in my experiences, in life, in society, in history. Also in the Bible.

As Inigo Montoya said in The Princess Bride, when things go wrong, you have to go back to the beginning.

So grounding the complexity of the Bible in its beginningGod’s creation of the worldwas a most helpful way to understand what was going on in the biblical story.

Teaching Creation—In Southern Ontario

I started teaching biblical creation theology a couple years into my graduate studies, when I became an Inter-Varsity Christian Fellowship (IVCF) staff worker. I had the opportunity (facilitated by Brian Walsh) to develop and teach informal (non-credit) courses on the Christian worldview at various universities in Southern Ontario (University of Toronto, McMaster University, and the University of Guelph).

The initial course title was “The Christian Worldview in a Secular Culture.”

After an introduction to worldviews and the rationale for the course, the first substantial topic was the Bible’s view of creation and the human role in God’s world. I was exploring the topic for myself as I taught the course. I grew in my understanding of creation theology year by year, through this teaching.

Teaching Creation—In Upstate New York

Later, while living in upstate New York and studying at Colgate Rochester Divinity School, I continued teaching non-credit worldview courses as a chaplain at the University of Rochester and at some local churches.

I was also invited to teach a more focused non-credit course on the Bible and science, specifically for Christian graduate students (and some professors) in the sciences at the University of Rochester and Cornell University. This opportunity was facilitated by Bob Fay, who was then Professor (now emeritus) of Chemistry at Cornell.

In these courses on the Bible and science I was able to explore further the role of creation in grounding the scientific vocation and how the sciences studied the world God created. While I taught the Bible and an overview of the history of the Bible and science, my “students” (all aspiring or practicing scientists) taught me a great deal about what science was and how it actually functioned.

Teaching Creation—In Formal Credit Courses

Once I enrolled in doctoral studies at the Institute for Christian studies (Toronto), I began teaching adjunct courses to students in the masters program, including a year-long introduction the Bible, along with courses on the Bible and Postmodernity, Humanity as God’s image, and Creation in the Bible and the ancient Near East. I was exploring various facets of the topic of creation in all of these.

When I began my formal teaching career at Colgate Rochester Divinity School (now Colgate Rochester Crozer Divinity School), a decade after I had been a student there, and then at Roberts Wesleyan College and Northeastern Seminary some years later, creation continued to be an important topic in many of my courses.

These included introductory courses on the Old Testament, the Pentateuch, the Wisdom books, and the Psalms; creation theology was also central to seminar courses I taught on Genesis, Humanity as the image of God, and Creation in the Bible and the ancient Near East.

I even continued to teach my original course on the Christian worldview, significantly revised, under different names, such as “Worldview Foundations” (at the Institute for Christian Studies), “Faith, Culture, and Calling” (at Colgate Rochester Divinity School), “Exploring the Christian Worldview” (at Roberts Wesleyan College), and “Biblical Worldview: Story, Theology, Ethics” (at Northeastern Seminary).

Because of a recent curriculum revision at Northeastern Seminary, “Biblical Worldview” has been renamed “Being in the Story.”

And, of course, much of this teaching grew into writing.

Writing about Creation and Worldviews

The early non-credit Christian worldview teaching for IVCF led to the first book I wrote with Brian Walsh, The Transforming Vision: Shaping a Christian World View (IVP, 1984), where we had a chapter called “Based on Creation.” It was our shared understanding of creation theology that grounded our exposition of redemption and our critique of worldview dualism and modern idolatry.

This is still the most widely read book I’ve written, with translations into Korean (1987); French (1988); Indonesian (2001); Spanish (2003); Portuguese (2009); new Korean edition (2013); new French edition (2017); new Indonesian edition (2020).

When Brian and I wanted to revise The Transforming Vision to explicitly address the postmodern condition and the role of suffering in the Bible, IVP suggested that we write a follow up book, which we did.

Truth Is Stranger than It Used to Be: Biblical Faith in a Postmodern Age (IVP, 1995) contains a chapter on the biblical view of humanity (“The Empowered Self”) and one on creation more generally (“Reality Isn’t What It’s Meant to Be”). This book has been published in a UK edition (SPCK, 1995) and released in two different Korean editions (2007, 2020).

Writing about Creation—Up to The Liberating Image

Just before Truth Is Stranger was published, I wrote an exploratory article in anticipation of my doctoral dissertation, called “The Liberating Image?” The question mark indicated its exploratory character. 

  • “The Liberating Image? Interpreting the Imago Dei in Context,” Christian Scholar’s Review 24 (1994): 8–25.

But when I published my dissertation with the same title (and a different subtitle), I left out the question mark.

I also wrote some other articles on the way to The Liberating Image that addressed creation theology; some of this material was incorporated into various chapters of the book.

  • “Is Creation Theology Inherently Conservative? A Dialogue with Walter Brueggemann,” Harvard Theological Review 87 (1994): 257–277. Published with Walter Brueggemann’s “Response to J. Richard Middleton,” 279–289.
  • “Creation Founded in Love: Breaking Rhetorical Expectations in Genesis 1:1–2:3,” in Sacred Texts, Secular Times: The Hebrew Bible in the Modern World, ed. by Leonard Jay Greenspoon and Bryan F. LeBeau, Studies in Jewish Civilization 10 (Creighton University Press, 2000), 47–85.
  • “Created in the Image of a Violent God? The Ethical Problem of the Conquest of Chaos in Biblical Creation Texts,” Interpretation 58 (2004): 341–55.

Creation theology was important even in an article I wrote on Bob Marley and the Wailers, where I cited song lyrics to show that appeal to creation was one of their strategies for challenging the “Babylonian” status quo.

  • “Identity and Subversion in Babylon: Strategies for ‘Resisting Against the System’ in the Music of Bob Marley and the Wailers,” chap. 9 in Religion, Culture and Tradition in the Caribbean, ed. by Hemchand Gossai and N. Samuel Murrell (New York: St. Martin’s Press, 2000), 181–204.

Writing about Creation—After The Liberating Image

Then, once The Liberating Image was published, I started getting requests to contribute Bible dictionary or encyclopedia articles that addressed some aspect of creation theology (especially the imago Dei); even the article on “Salvation” that I wrote with Michael Gorman drew on creation theology as a significant component of the topic.

  • “Salvation,” in the New Interpreter’s Dictionary of the Bible, vol. 5, ed. by Katharine Doob Sakenfeld et al. (Nashville: Abingdon, 2009), 45–61. Co-authored with Michael J. Gorman.
  • “Image of God,” in Dictionary of Scripture and Ethics, ed. by Joel B. Green et al. (Grand Rapids: Baker Academic, 2011), 394–97.
  • “Image of God,” in The Oxford Encyclopedia of the Bible and Theology, vol. 2, ed. by Samuel E. Balentine et al. (Oxford: Oxford University Press, 2015), 516–23.
  • “The Genesis Creation Accounts,” in  The T&T Clark Companion of Christian Theology and the Modern Sciences, ed. by John P. Slattery, Bloomsbury Companions (London: Bloomsbury T&T Clark, 2020), 15–31.
  • “The Image of God in Ecological Perspective.” Chap. 20 in The Oxford Handbook of the Bible and Ecology, ed. by Mark Harris and Hilary Marlow (Oxford: Oxford University Press, 2022), 284–298. 
  • “What Does the Bible Mean When It Says We’re ‘Made in the Image of God’?” Answer to question #44 in 101 Great Big Questions about the Bible and Science, ed. by Lizzie Henderson and Steph Bryant (Oxford: Lion Hudson, forthcoming). A children’s book sponsored by the Faraday Institute for Science and Religion.

There were invitations to write other dictionary/encyclopedia articles that I had to turn down due to time constraints. These included:

  • “Image of God” for The Oxford Encyclopedia of the Bible and Ethics.
  • “Creation” for The Oxford Encyclopedia of the Bible and Theology.
  • “Concept of the Image of God in the Old and New Testaments” for The Palgrave Handbook of Image Studies.

Writing about Creation in the Psalms, Job, and the Caribbean

I also began to explore aspects of creation theology that were spin-offs from The Liberating Image, such as creation in the Psalms and Job, and the application of creation theology to Caribbean life.

  • “The Role of Human Beings in the Cosmic Temple: The Intersection of Worldviews in Psalms 8 and 104,” Canadian Theological Review 2. no. 1 (2013): 44–58.
  • “Islands in the Sun: Overtures to a Caribbean Creation Theology,” in Islands, Islanders, and the Bible: Ruminations, ed. by Jione Havea, Margaret Aymer, and Steed Vernyl Davidson, Semeia Studies 77 (Atlanta: Society of Biblical Literature, 2015), 115–134. Reprint from A Kairos Moment for Caribbean Theology (2013).
  • “Does God Come to Bury Job or to Praise Him? The Significance of YHWH’s Second Speech from the Whirlwind,” St. Mark’s Review no. 239 (March 2017): 1–27. Published with a response essay by Jeanette Mathews.

This last article, which addresses the debate between Job and his friends about the status of humanity as degraded or elevated (and God’s answer to the debate), is now part of a new book that links Job with Abraham in Genesis 22):

Writing about Creation in the Garden of Eden

My most recent research has been on creation in Genesis 2–3, exploring the account of human origins in the Garden story. So far I’ve written two essays on this.

  • “From Primal Harmony to a Broken World: Distinguishing God’s Intent for Life from the Encroachment of Death in Genesis 2–3,” chap. 7 in Earnest: Interdisciplinary Work Inspired by the Life and Teachings of B. T. Roberts, ed. by Andrew C. Koehl and David Basinger (Eugene, OR: Pickwick, 2017), 139–67.
  • “Reading Genesis 3 Attentive to Human Evolution: Beyond Concordism and Non-Overlapping Magisteria,” chap. 4 in Evolution and the Fall, ed. by William T. Cavanaugh and James K. A. Smith (Grand Rapids: Eerdmans, 2017), 67–97.

The plan is for this material to become part of a book I am working on for Cascade, an imprint of Wipf and Stock:

  • Life and Death in the Garden of Eden: A Theological Reading of Genesis 2–3 (Eugene, OR: Cascade).

Creation to Eschaton

Creation theology has also been significant for my understanding of eschatology, since the beginning (creation) is profoundly connected to the end (eschaton). This is what led to the name of my blog site, Creation to Eschaton.

Most recently, I’ve written a chapter for a new book on eschatology (scheduled to be published in Spring 2021), where I develop the connection between creation and eschaton, with an explicit focus on the coming of the Shekinah, the Rabbinic term for God’s holy presence in the world.

  • “The New Earth: Cosmic Redemption and the Coming of the Shekinah,” in Four Views on Heaven, ed. Michael Wittmer, Counterpoints: Bible and Theology (Grand Rapids: Zondervan, forthcoming). Chapters by John Feinberg, J. Richard Middleton, Michael Allen, and Peter Kreeft. With authors’ responses to other essays.

The Defining Theme 

Of course, I’ve been writing on other topics besides creation, especially the book of Samuel, the problem of suffering, and the lament psalms (more on that another time).

But creation has clearly been the defining theme of my teaching, research, and writing.

Note: For those interested, most of the articles listed in this post are available as PDFs here.